When the celebrated Welsh poet Dylan Thomas arrived in New York on his first visit, in 1950, for a tour of poetry readings around the country, America didn't know what had hit it. Angelic, devilish, immoral, charming, self-destructive, given to alcoholic binges. Students loved him and he made quick friends with writers, journalists, and barflies, instantly creating a pop-culture mythology of the doomed artist. Brinnin bears witness to Dylan Thomas' slow descent into hell.
Prion, 2000; 251 pp.; EN; pb
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